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<²Þ²Ù´Â ³ª¹«-¸íµ¿À» ³»·Á´Ù º¸´Ù I> 73 x 100cm ÀåÁö¿¡ ä»ö 2004


<²Þ²Ù´Â ³ª¹«-ÀÛÀºÃ¢ I> 45.5 x 66cm x 2 ÀåÁö¿¡ ä»ö 2004

 


ÀÌ°æ¼ö ÀÛÇ°Àü

Lee, Kyung-Soo

2005. 1. 5 - 1. 11 Àλ簶·¯¸®

³ª¹µÀÙ ³ª¹µ°¡Áö ÇϳªÇϳª¿¡ ²ÞÀ» ´ã¾Æ³»

 

 

°ø»çÀå ÁöÇÏö¿ªÀÇ ¿¡½ºÄ÷¹ÀÌÅÍ, ¾î´À ºôµùÀÇ ³»ºÎ dz°æ µî°ú °°Àº ³¸ÀÍÀº µµ½ÃÀÇ °ø°£°ú ÇÔ²² ¿ª½Ã Àͼ÷ÇÑ ¿©·¯ °¡Áö ¸ð¾çÀÇ ³ª¹µÀÙ°ú ³ª¹µ°¡ÁöµéÀÌ ÇÑ È­¸é ¾È¿¡¼­ µ¿½Ã¿¡ º¸ÀδÙ.
ÇÏÁö¸¸ ±× µÎ°¡Áö ¿ä¼ÒµéÀº »ó½ÄÀûÀ¸·Î Á¸ÀçÇÒ ¼ö ¾ø´Â °ø°£¿¡ ÀÚ¿¬¹°ÀÌ Á¸ÀçÇÏ´Â ¸ð½À, µµ½Ã°ø°£À̳ª ÀÚ¿¬¹°ÀÇ ¾î´À ÀϺκи¸ ä»öÀ¸·Î Ç¥ÇöµÈ ¸ð½À µîÀ» ÅëÇÏ¿© ¼­·Î Ä£¹Ð°¨ÀÌ ´À²¸Áö°Ô Çϱ⺸´Ù´Â ¾îµðÀÎÁö ¾î»öÇÑ ´À³¦À» ÁØ´Ù.

³ªÀÇ ±×¸²¿¡¼­µµ µµ½ÃÀÇ Àΰø±¸Á¶¹°Àº Àΰ£ÀÚü¿¡ °ü½ÉÀ» °®±âº¸´Ù´Â µµ½Ã »çȸ ¼ÓÀÇ ±¸¼º ¿ä¼Ò·Î¼­ÀÇ °³ÀÎÀÌ °¡Áø ´É·Â°ú ÀÏ¿¡ ´ëÇÑ ¼º°ú¿¡ µû¶ó Àΰ£À» ¹Ù¶óº¸°í Æò°¡ÇÏ´Â Á¤¼­ÀûÀ¸·Î »è¸·ÇØÁø °Å´ëÇÑ Çö´ë»çȸ¸¦ ÀǹÌÇÑ´Ù. ¶ÇÇÑ ÀÚ¿¬¹°Àº ±×·¯ÇÑ »è¸·ÇÑ »çȸ ¼Ó¿¡¼­ ÀÏ»ó »ýÈ°À» Çسª°¡°í ÀÖ´Â Çö´ëµµ½ÃÀÎÀÇ ¸ð½ÀÀ» ÀǹÌÇÑ´Ù.
Çö´ëµµ½ÃÀÎÀ» ³ªÅ¸³»´Â ÀÚ¿¬¹°Àº º®À̳ª â, °è´Ü °°Àº °÷¿¡¼­ °¤Çô ÀÖ´Â µíÇÏ°Ô Ç¥ÇöµÇ°í ÀÖ´Ù. Á¸ÀçÇÒ ¼ö ¾ø´Â °ø°£ÀÓ¿¡µµ ºÒ±¸ÇÏ°í ±×°÷¿¡ ÀÚ¸®Àâ°í ÀÚ½ÅÀ» µå·¯³» º¸ÀÌ´Â ÀÚ¿¬¹°À» ÅëÇØ ´ä´äÇÑ Çö½Ç ¼Ó¿¡¼­µµ Èñ¸ÁÀ» °¡Áö°í °¢ÀÚÀÇ ²ÞÀ» ÇâÇØ ¹¬¹¬È÷ ³ª¾Æ°¡´Â ¸ð½Àµé ³ªÅ¸³»¾ú´Ù.

ÀÛ¾÷À» Çϸ鼭 Á¡À» Âï°í ä»öÀ» ÇÏ´Â ¼ö¾øÀÌ ¹Ýº¹µÇ´Â °úÁ¤À» ÅëÇØ ³ª¹µÀÙ°ú ³ª¹µ°¡Áö ÇϳªÇϳª¿¡ »ç¶÷µéÀÌ ²Þ²Ù´Â °ÍµéÀ», ±× ²Þ²Ù´Â ¸ð½ÀÀ» ´ã¾Æº»´Ù. ±×¸®°í ³ªÀÚ½ÅÀÌ ²Þ²Ù´Â °ÍÀº ¹«¾ùÀÎÁö ÀÏ»ó»ýÈ° ¼Ó¿¡¼­ ÀØ°í Áö³»´ø °ÍµéÀ» µÇµ¹¾Æº»´Ù.

 

ÁÖ¿ä¾à·Â
* ¼­¿ï´ëÇб³ ¹Ì¼ú´ëÇÐ µ¿¾çÈ­°ú Á¹¾÷ ¹× µ¿´ëÇпø Á¹¾÷
* °³ÀÎÀü 1ȸ (Àλ簶·¯¸®)
* È­¿¬Àü (´ö¿ø°¶·¯¸®, °æÀι̼ú°ü, ¼¼Á¾¹®È­È¸°ü)
* 50106Àü (¼­¿ï´ëÇб³ ¹®È­°ü)
* ¼­¿ï´ëÇб³ ¹Ì¼ú´ëÇÐ ÀÎÅÍ³Ý µ¿¹®Àü
* Çѱ¹È­ - »õ·Î¿î Çü»ó°ú Á¤½ÅÀü (´ö¿ø °¶·¯¸®)
* û¡¡¤ßÚ¡¤ßä Àü (¼±È­¿¹¼ú°íµîÇб³ ¼Ö°Å°ü)
* ¼®»çÇÐÀ§ û±¸Àü (¼­¿ï´ëÇб³ ¹Ú¹°°ü)
* Á¦ 5ȸ ´ëÇѹα¹¿©¼º¹Ì¼ú´ëÀü (¼­¿ï½Ã¸³¹Ì¼ú°ü)



I've presented familiar urban areas such as construction site, escalator at subway station and interior view of a building in the canvas with various types of leaves and branches.
Nevertheless, instead of showing intimacy, these two components expressed awkwardness through featuring nature existence in commonly sensed non-existable space, and partially-colored natural objects or urban area.

The artificial structures expressed in my works show emotionally desolated gigantic modern society that rather than being concerned of the person, itself, views and values a person according to personal ability and fruit of one's labor as a city-dweller. in addition, the natural objects revel modern that city-dwellers living daily life in such lonesome society.
The natural objects that reflect modern city-dwellers are expressed as if they are confined inside the walls, windows or stairs, I've presented the city-dwellers who are trying to materialize their cherished dreams without complaining in the depressing reality by drawing natural objects that opens themselves up living in non-existable space.

Through my work, spotting and coloring, I've presented the dreams and dreaming states of city-dwellers in each leaf and branch. And consequently I'd realize my dreams, looking back on what I've forgotten in everyday life.



<²Þ²Ù´Â ³ª¹«-°ø»çÀå> 107 x 138cm ÀåÁö¿¡ ä»ö 2004

 

 
<²Þ²Ù´Â ³ª¹«-°øÇ×> 103 x 136cm ÀåÁö¿¡ ä»ö 2004

 

 

 

 

 

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